<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-26058801</id><updated>2011-04-21T21:24:03.430-07:00</updated><title type='text'>Activities</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://prosliprojects.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/26058801/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://prosliprojects.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Inquiry into Reality: The Disappearance of Public Space</name><uri>http://www.blogger.com/profile/10129828236759739089</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='16' src='http://photos1.blogger.com/blogger/5079/2628/320/DPS-logo-layeri1.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>1</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-26058801.post-114501084996908359</id><published>2006-04-14T03:33:00.000-07:00</published><updated>2007-10-10T15:43:22.009-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_645_ILulnm8/Rw1RMxarn5I/AAAAAAAAAN0/DfTCD0pxiso/s1600-h/cover_Page_1.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 301px; height: 404px;" src="http://bp1.blogger.com/_645_ILulnm8/Rw1RMxarn5I/AAAAAAAAAN0/DfTCD0pxiso/s320/cover_Page_1.jpg" alt="" id="BLOGGER_PHOTO_ID_5119837631255650194" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 153, 153);"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;&lt;br /&gt;Catalogue available at:&lt;br /&gt;The Museum of Contemporary Art Belgrade&lt;br /&gt;Sarajevo Center for Contemporary Art/pro.ba&lt;br /&gt;Press to Exit project space Skopje&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;ISBN 978-86-906911-1-1&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;text: curator, participating artists and TV debate director&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Language: Serbian, English and Macedonian&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Design: Neda Firfova&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Photo: Srdjan Veljovic&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Impression: 800&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Print: Caligraph, Belgrade&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;&lt;/span&gt;&lt;br /&gt;Activities&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;TV DEBATE '07&lt;br /&gt;TV Politika, &lt;span style="font-style: italic;"&gt;September&lt;/span&gt;&lt;br /&gt;BH&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;TV1, &lt;span style="font-style: italic;"&gt;September&lt;/span&gt;&lt;br /&gt;ART TV, &lt;span style="font-style: italic;"&gt;October &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;MRTV, &lt;span style="font-style: italic;"&gt;October&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;in collaboration with Sarajevo Center for Contemporary Art/pro.ba and Protok Banja Luka&lt;br /&gt;Bosnia and Herzegovina&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;SCREENINGS AND THE EXHIBITION&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;April 23 - April 28&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Press to Exit Project Space Skopje&lt;br /&gt;Republic of Macedonia&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;LECTURE AND SCREENING &lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;March 02&lt;br /&gt;The Museum of Contemporary Art Banja Luka&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;In collaboration with Protok Association, Banja Luka&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Bosnia and Herzegovina&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;EXHIBITION&lt;br /&gt;installation and screenings&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;February 28 - March 14&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;The Museum of Contemporary Art Belgrade&lt;br /&gt;Republic of Serbia&lt;br /&gt;&lt;br /&gt;screenings start: 13 | 15 | 17&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;______________________&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;newspaper Politika column&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Feb 17 - 01 Mar '07&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153); font-weight: bold;"&gt;On Freedom and the Streets of Belgrade&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic; color: rgb(153, 153, 153);"&gt;Hristina Ivanoska&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt; / MK&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;In February 2007, in the newspaper Politika, a daily column under the name On Freedom and the Streets of Belgrade will be published. Macedonian artist Hristina Ivanoska did research on streets' names in Belgrade, focusing on women's names of the streets. From this starting point, she continued her research on biographies of the certain women who contributed to their emancipation in the Balkan region.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;The column consists of 13 articles. Photos of women and streets bearing women’s names follow each article.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;_____________________&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;TV series&lt;br /&gt;- TV Politika&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;, Feb 28 at 20pm&lt;br /&gt;- TV BHTV 1, the Kitchen SCCA/pro.ba TV show, April 19 at 23pm&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153); font-weight: bold;"&gt;Open Studio of New Belgrade Chronicle&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic; color: rgb(153, 153, 153);"&gt;Tanja Ostojic&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt; / DE&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Camera: David Rych / AT&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Open Studio of New Belgrade Chronicle is a TV series consists of two episodes that are going to be launched through TV Politika program in February 2007, and BHTV1 in April 2007. One episode is questioning Roma minority position in Belgrade, and the second one is about citizens of Zvezdara - a Belgrade community - who are putting great effort to protect a park in their neighborhood for months.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;______________________&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;advertising campaign&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;newspapers, magazines, radio&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;&lt;br /&gt;dec/jan/feb/mar '06/'07&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;&lt;br /&gt;billboard  campaign&lt;br /&gt;Feb 26 / Mar 11, Belgrade&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153); font-weight: bold;"&gt;&lt;br /&gt;Europoly&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic; color: rgb(153, 153, 153);"&gt;Dejan Kaludjerovic&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt; / AT&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Europoly, the project of Dejan Kaludjerovic will be advertised through marketing strategies, from the newspapers, radio, and TV ads and commercials over billboards and leaflets to the final product market, which will be created in the form of industrial product of a social game similar to Monopole. This piece of work is questioning the position of emigrants in EU, as well as the idea of EU. Later on, it is planned the artwork to be distributed through the museum shops.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;_______________________&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Film projection&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;KCB, Belgrade Cultural Center Cinema&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;04. May, 2006&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;time: 20.00h&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;Sylvia Kristel - Paris&lt;/span&gt; (2003)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;a film by &lt;span style="font-style: italic;"&gt;Manon de Boer&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;&lt;br /&gt;Sylvia Kristel – Paris is a documentary movie about pop icon from 70’s, a Dutch actress and model well known for her role in the famous soft-core movie Emmanuelle from 1974, one of the most successful French films ever.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;"In most of my work, there’s an element of doubt in relation to interpretation. For instance in the film Sylvia Kristel – Paris Kristel speaks twice, with an interval of one year, about the time that she lived in Paris. The two stories are different, but you can’t say that one of the two is true and the other false. "&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;"I want the viewers to question the stability of identity by introducing doubt, but also by separating sound, image and text. The different elements that construct a film or a work are put into dialogue with one another. Instead of creating a homogenous whole with which the viewer can identify, the viewer is always held on a slight distance, which can create a critical space."&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right; color: rgb(153, 153, 153);"&gt;&lt;span style="color: rgb(153, 153, 153); font-style: italic;"&gt;Manon de Boer&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153); font-style: italic;font-size:85%;" &gt;from the interview "Video Portrait" with G. Petrovic.&lt;/span&gt;&lt;span style="font-style: italic;font-size:85%;" &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153); font-style: italic;font-size:85%;" &gt;In a newspaper Danas, April 5th, 06.&lt;/span&gt;&lt;/div&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;_______&lt;br /&gt;KCB, Belgrade Cultural Center Cinema&lt;br /&gt;04. May, 2006&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;time: 21.00h&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;La Marge&lt;/span&gt; (1976)&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;a film by Walerian Borowczyk&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;starring: Sylvia Kristel, Joe Dallesandro&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Director Walerian Borowczyck uses minimal dialogue, uncomfortable body language, and sharply contrasted shades of light and dark to weaken any hint of developing passion or mounting sexuality. With these precious image, the viewer is drawn into a visually complex, psychosexual morality play, starring the sexually seductive Sylvia Kristel as the streetwalker Diana, and the sensually stunning Joe Dallesandro as the seemingly happily married Sigimond.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;This film is a modern masterpiece depicting adults who are unable to differentiate between love and lust.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;This film is also known as&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Emmanuelle '77&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;The Streetwalker (eng.),&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Uličarka (serb.)...&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;_______________________&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;EXHIBITION&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic; color: rgb(153, 153, 153); font-weight: bold;"&gt;The Disappearance of Public Space&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Salon of the Museum of Contemporary Art, Belgrade&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;08.04 - 16.04.2006.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Opening time: 07.08.2006, at 19h&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;&lt;br /&gt;&lt;br /&gt;Artists:&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Katarina Popovic / Edition #1 &lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Urtica / Social Engine &lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Mirna Arsovska / Kako si? &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Curated by: &lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Goran Petrovic&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;_______________________&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;NEWSPAPER SUPPLEMENT&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Newspaper 'Danas'&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;April 05, 2006&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;&lt;br /&gt;On the occasion of the project start, first part of the 'catalogue' will be published in the form of a daily newspaper and as a supplement to a particular weekly release, being distributed together in 30.000 copies in Serbia (Newspaper DANAS, Belgrade, 5th April, 2006 ). &lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;On four colored pages of text, pictures, adverts, interview and future project's announcements, the most direct description of the project's artistic strategy can be seen. Curator is an editor, and artists are writers and photographers of the supplement. &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Editor/curator: Goran Petrovic&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Texts/artists: Hristina Ivanoska, Sinisa Ilic, Tanja Ostojic, Goran Petrovic, Katarina Popovic, Yane Calovski i Violeta Vojvodic &lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Photo and illustrations: artists&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;Design: Zoran Spahic, Danas&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 153, 153);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;li&gt;&lt;br /&gt;&lt;/li&gt;&lt;a style="color: rgb(192, 192, 192); font-style: italic;" href="http://danasdanas.blogspot.com/"&gt;&gt;&gt;&gt;&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/26058801-114501084996908359?l=prosliprojects.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://prosliprojects.blogspot.com/feeds/114501084996908359/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=26058801&amp;postID=114501084996908359' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/26058801/posts/default/114501084996908359'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/26058801/posts/default/114501084996908359'/><link rel='alternate' type='text/html' href='http://prosliprojects.blogspot.com/2006/04/film-kcb-belgrade-cultural-centre.html' title=''/><author><name>Inquiry into Reality: The Disappearance of Public Space</name><uri>http://www.blogger.com/profile/10129828236759739089</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='16' src='http://photos1.blogger.com/blogger/5079/2628/320/DPS-logo-layeri1.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_645_ILulnm8/Rw1RMxarn5I/AAAAAAAAAN0/DfTCD0pxiso/s72-c/cover_Page_1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
